Created January 16, 2001

Phyllis'
Musical Inn
1800 W. Division St. (1200N, 1800W)
Chicago
(773) 486-9862
In many ways, Phyllis' Musical Inn is similar to its sibling across
the street the Gold Star Bar. It's difficult to talk about one without
referencing the other. Their histories are similar, they both have ties to
Nelson Algren, the clientele is virtually the same, the bars' decor evokes a
similar feel, and even the owners have co-sponsored events. The key
differentiator for Phyllis' is two-fold: the music and the beer garden.
Phyllis' is located in Wicker Park, on the corner of Division and Wood and just east of the now-defunct Czar Bar. Some of you may have thought that Phyllis' is located in the Ukrainian Village, but technically Division separates the two neighborhoods with Wicker Park on the north side of the street. Smoke Daddy is adjacent to Phyllis' beer garden and is the perfect place to grab some BBQ before the bands come on. The exterior to Phyllis' hasn't changed since the bar opened in 1954, in the heyday of "Polish Broadway," by Nelson Algren's mother, Phyllis. Nelson Algren is a famous Chicago novelist, whose books celebrated the working man much like Mike Royko's columns did in the Daily News, Chicago Sun Times and Chicago Tribune. Nelson's mother, on the other hand, was an accordion player in a polka band. Phyllis' is housed within a brick three flat, has a facade primarily composed of glass blocks, and a small plate glass window with a small neon "Phyllis' Musical Inn" hanging in it, with metal grating behind it. This makes Phyllis' somewhat difficult to find at night, so just look for Smoke Daddy's bright pink neon sign next door.
The interior and furnishings looks very much the same as when
Phyllis' opened as well. The cocktail tables, flooring and bar all consist of
well-worn wood. Colorful murals adorn the west wall, and very cool black and
white wallpaper adorns the area above the bar, depicting keyboards, top hats
and canes very similar to that found at Ivan's. What looks like a Topp's Big Boy with
an inflatable guitar hangs from the high, gold-painted tin ceiling over the bar
. Carrying on the inflatable theme, as seen one night, were a dozen blow-up
ghosts scattered throughout the room. This seemed unusual, considering that it
was summertime. They have undoubtedly all been popped or stolen by now.
Mirrored and green beveled glass, and the large fish tank atop the coolers also
add to the funky feel of the room.
At the back of the room lies a small stage. Here, a variety of lesser-known bands play under a Division/Wood keyboard mural and with an American flag as a backdrop. To the left of the stage is an Old Style "Cool Brew" sign in blue-green with reptilian scales, with the bathrooms below. What's notable about the bathrooms, aside from their wretchedness, is the graffiti that covers all four walls and ceiling. Among the entertaining writings found there, was this: "Julie, Fuck You - Beans." Short, to the point and thoughtfully signed. What more could you want in bathroom graffiti? Gino's East eat your heart out!
"Without a band there's really not much to this place," is written
in the Sweet Home Chicago Real City Guide, published in 1993. Good thing
there's a band on almost everyday. In fact, Phyllis' was the first bar in
Wicker Park to offer live music. Today, Phyllis' is now owned by a former bike
messenger named Clem Jaskot. Nelson Algren's mother has since departed and the
polka bands of the 1950's have yielded to groups that typically play garage
alternative. Phyllis' also attracts a fair number of jazz musicians on Monday
nights and slam poets on Tuesdays at 10:00 p.m. Cover typically ranges between
$3 and $7. If that seems expensive, which it shouldn't, don't worry the
beer is cheap. So cheap that I can't remember how much, if you know what I
mean. The vast majority of these bands is virtually unknown and can provide a
level of entertainment to rival that of the writings in the can. A large reason
for this is that Clem instructs the bands to keep cover songs to a minimum. How
refreshing considering the score of Chicago bars that offer nothing but
cover bands, like Hog Head McDunna's. One night when I was at Phyllis', a band
known as Mr. Anxious (a.k.a. "Creepy D") made up for what it lacked in creativity, in amusement
value. They must have sang, "It's coming for you... itch by itch" about 20
times in a row, which gave you enough time to really think about the lyrics
what if they really were coming for you? Itch by itch... Not something
to look forward to. They also sang, "Broom-sticks... are made of wood," over
and over, but at times with curious ad-lib lyrics like, "Com-pu-ters... are
made of wood."
As for the poetry, I'm unsure if it's still going on, but Phyllis'
poetry slam on Tuesdays was hosted for a few years by Big Daddy Shag and Thax
Douglas, and was known as "Shag's Li'l Thang." The slam was much in the
tradition of the Green Mill,
Weed's Tavern and
Joy Blue. An open-mic was available for
anyone with an urge to recite poetry, spoken-word, rap, or even sing. While the
old regs at the bar would drink Old Style and poke fun, the rest of the
audience would get into it. If all of that isn't enough for you, there's a
pinball machine by the door (just below a stuffed bird with a fish in its
talons in mid-flight), a few televisions behind the bar, and three arcade games
to the right of the stage. A DJ spins music from a wooden booth along the wall
on the other side of the stage when the band isn't on.
A mysterious door in the west wall leads to one of the least known and most interesting beer gardens in the city. The garden fills up an entire lot and is isolated from the street by a tall brick wall, inlaid with more glass blocks and adorned by white flower planters. Patrons sit at a few picnic tables and banquet hall chairs, play a bit of basketball (yes, there's a hoop out there) or frolic in an open construction site next door. Basketball may have been difficult one night while I was there as the major source of lighting came from cigarette lighters rather than light bulbs. So, a friend of mine and I busied ourselves by exploring the construction site, where an tempting variety of ladders, grills and wooden planks were laying about. The area is blocked off from the street by the plywood that covers up the building's partial frame, with a dumpster wheeled in front of it for good measure. That night, my friend leaned one of the ladders up against the wall and was about to jump down from the wall upon the dumpster below. Fortunately, I was able to talk him down. He then developed a strange fascination with breaking through the wall to get outside, even though he could have just as easily walked back through the bar.
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The same alterna-types found at Gold Star are found here lots of glasses, odd facial hair, scruffy clothes and unkempt hairstyles. The new Bohemians. However, during the day, the working class neighborhood regulars hold court in Nelson Algren style. According to The Official Chicago Bar Guide (1994), "When the sun goes down, the old regulars scuttle out and the trendies breeze in." That's still true today. Combined with band scene, Phyllis' has a similar feel to Quencher's, the Empty Bottle and the Hideout.
While places like Metro, the Double Door and Elbo Room are widely known for popular alternative acts, look to joints like Phyllis' Musical Inn for where these bands started out. Check the place out, have a few Old Styles, chat with the regs at the bar, and take in the show. If the music gets too loud or the air too stuffy, head out to the beer garden for some night hoops or across the street to Gold Star. For more information, check out Phyllis' website. If you don't go there, Shag himself may come for you... itch by itch.
~ Have a good story relating to this bar? E-mail it to me. ~
[back to the Chicago Bar Project]
written by Sean Parnell

Photograph taken by Carla G. Surratt of
Picturing Chicago
