| Created November 12, 2003 Updated August 28, 2006 |

Velvet Lounge
2128 1/2 S. Indiana Ave. (2100S, 100E)
Chicago
(888) 644-8007 or (312) 791-9050
Editor's note: the Velvet Lounge closed at its original address but has thankfully reopened at 67 E. Cermak
"Fred Anderson's Home for Chicago Jazz"
Though there's a distinct absence of
actual velvet, the smoothness of the Velvet
Lounge comes instead from the
free-form jazz sounds of owner and tenor sax-man Fred Anderson and his legion of AACM musicians that
perform with him at his place. If you're looking for posh swankiness, white tablecloths,
$10 martinis, and $20 cover charges, stick with Green Dolphin Street, Jazz
Showcase or Andy's. If you want Birth of the
Cool-type, cutting-edge jazzand maybe some
barbeque beforehandhead over to the Velvet
Lounge. There you'll find some of the best jazz in the city at a joint that
operates in the same spirit today as such departed blues club legends as the
Checkerboard Lounge and
Theresa's.
The Velvet Lounge is located one block east of Michigan, just north of Cermak and across the street from a hotel where Geraldo Rivera raided what he thought was Al Capone's secret vault (the "vault" instead turned out to contain nothing more than dust and a bewildered cockroach). The hotel is gone, as are some of the housing projects that have blighted the area for decades the latter of which along with some of the industrial complexes, are being rapidly absorbed by the ever-expanding McCormick Place Convention Center.
It's a pain in the ass to get
to the Velvet Lounge but it's worth the trip.
Though I'm usually loathe to recommend it, driving is probably your best bet
considering that the South Loop area where it's located is still dodgy. There's plenty
of parking right out front and you won't find a cab afterwards. If you're feeling
especially adventurous (read: lucky), you can also get to the Velvet Lounge by
taking the Ride Line El to the Cermak/Chinatown stop and then walking three
blocks east and one block north. Just make sure you're with people. At 2128½
South Indiana (to be precise), you'll find your destination
just down the street from the
Clarke House (the oldest home in
Chicago) and
where hizzoner Mayor Richard M. Daley resides (you can tell because of the cop
car, often unmarked, that is parked out front when he's there). The Velvet Lounge faηade consists almost
entirely of glass blocks with a black door, red neon beer sign in
the windows covered with burglar-retardant metal, and a lighted Old Style sign
with a hole in it propped up on the roof.
Inside, the Velvet Lounge can best be described as "South Side Chic" as funky as it is divey. You'll first be greeted by an old black man with a black leather hat, which might well be Fred Anderson himself, who will collect between a $3 and $8 cover chage from you. This is far cheaper than the self-absorbed jazz clubs further north, with the exception of the Green Mill of course. [Editor's note: due to more inane City of Chicago crackdowns, the Velvet Lounge has become dependent on "donations" rather than collecting a cover as their current license may not allow for concerts. Relying on the honor system, many people kick in up to $10. It is unclear how long this will last.] A long bar runs the length of the north wall in the narrow front room, with black vinyl high-backed chairs that match the worn bar's padding in front of it and the $2.50 bottled beer and canned soda served behind it. Schlitz can also be found, served stylishly in the can. Elsewhere in the bar area, you'll find low-slung tables and red banquet hall style chairs across from the bar, a worn wooden floor, a water-stained drop ceiling, Fred Anderson CDs for sale, and faux, off-white wood paneling upon which hang photographs of jazz musicians and concert bills. The whole effect is as intoxicating as a bottle of Mad Dog.
"Even the wildest musical excursions pale next to the wallpaper..."
Chicago Magazine
Beyond the bar is the main part of the lounge. Here, you'll find a fair bit
of seating at several long folding tables that are located directly in front of a rickety
wooden stage. Looking as homemade as the "Velvet Lounge" and "Live Music" signs
out front, the stage bounces so much to the
beat of the drums that an enthusiastic drummer will keep having to pull the bass
drum and cymbals stand closer to him as he plays. Multicolored wallpaper with
an eclectic flowered and striped design covers the walls around the room and is worn through
in some places, just like the linoleum covering the cement floor. The
psychedelic effect of the wall covering is broken up periodically by paintings of jazz musicians,
the finest in velvet artwork and an ancient Coors clock that gives the time on the west wall.
Two medieval iron chandeliers and ceiling fans (one of which works) hang from a
high, pealing, black-painted ceiling, distracting your attention from the gas
meters and conduit located on the north wall, above the band. A wooden partition with red & white checkered,
Ghanaian kente cloth curtains separates the main room from the bathrooms,
thereby shielding patrons from the fluorescent
glare featured within them. Once you've absorbed the atmosphere, have a gander at
the postcards and brochures that cover the tables and list upcoming jazz events at the
Velvet Lounge and elsewhere.
"Labor of love for tenor sax hero Fred Anderson, who can be found restocking beers in between impassioned sets onstage. Dusty epicenter of Midwest's free form jazz scene."
The Official Chicago Bar Guide (2001)
The Velvet Lounge is owned and operated by Fred Anderson,
onetime former saxophonist for Sun Ra. Fred originally ran a non-profit club
from 1976 to 1978 called Birdhouse at 4512 N. Lincoln Ave, where jazz was played
until 4:00am by the likes of Ray
Anderson, Joseph Bowie and Hamiet Bluiett. The club that was named after Fred's favorite jazz musician, Charlie
"Bird" Parker, was closed following "random vandalism" and harassment
by the city in the form of zoning ordinances (some things never change
ala
Lounge Ax). After the
Birdhouse debacle and a trip to Europe that led to the release of his Another
Place album, Anderson went to work tending bar for Tip's Lounge, where the
Velvet Lounge is now located, to help out a sick friend. When the owner of Tip's
passed away, Fred took over the place and reopened it as the Velvet Lounge in
1982.
Fred's
tenor saxophone can still often be heard at the Velvet Lounge even though you'll
also see him behind the bar. Anderson is often surrounded by other
Association for the
Advancement of Creative Musicians (AACM), a group of local jazz pioneers, which
was co-founded in the mid-1960's by Mr. Anderson, Phil Corhan and pianist Muhall Richard Abrams. Such
AACM and visiting talent
includes
Hamid Drake, Ernest Dawkins, Ken Vandermark, Orbert Davis, Tatsu Aoki, Peter Kowald,
Kent Kessler,
Malachi Favors, and Jeff Parker who all perform frequently in
different combinations. The resulting "post-bop" jazz reminds me of pre-Bitch's
Brew Miles Davis, but can vary widely per performance as the artists will play
outside the lines. Dating back to 1993, jazz shows and the occasional blues are featured
four nights a week from Wednesday through Sunday, starting at 9:30pm (closed Monday and Tuesday).
Sunday nights feature the "Velvet Jam," which starts at 6:30pm and
lasts up until almost midnight. These improvisations are given by mostly younger
and/or student musicians, who come in and out in a kind of professional-amateur's open mic. I saw a band play one Sunday night that featured four different drummers.
These musicians take advantage of the hospitality of Fred Anderson and the
welcoming environment he has created.
'There's no such thing as freedom,' Anderson said at his club one particularly hot summer afternoon. 'Not in the sense of, you can just do anything you want to, and do it without any kind of structure or guidance. Music is about telling some kind of story, and listening to the music that's going on and figuring [out] how can you communicate what you're doing.'
excerpt from Todd R. Brown's "Fred Anderson Finally Gets His Due -- And His Records Back In Print," Jazz Magazine (2003)
In addition to the top-notch music, you'll find a complete lack of pretension,
which is especially refreshing if you hang out at Green
Dolphin Street or Pops for Champagne. The audience
is a combination of black South Siders, old school jazz lovers, local music students with their
girlfriends, and adventurous North Siders. The common bond: everyone loves the music.
They also like to smoke so be forewarned,
particularly when the place is crowded on the weekends and during the annual
Chicago
Jazz Festival, which is held during the Labor Day weekend. While the place
isn't huge, the Velvet Lounge can comfortably accommodate up to 175 people.
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When the munchies set in, the Velvet Lounge does not serve food. However, there is a barbeque joint next door called Fitzee's Serious Ribs and Chicken where it looks like you'd find Matt "Guitar" Murphy and "Blue" Lou Marini working behind the counter and the bulletproof window that separates the kitchen and dining room. Fitzee's serves up soul food until 1:00am during the week and 2:00am on Fridays and Saturdays, so you can bring it into the lounge and feast on "serious" ribs, chicken and collard greens during the concert or assuage your stomach once your ears are satisfied. Perhaps it was the site of the Velvet Lounge's neighbor that spurred conversation between some friends of mine and I one night of eating kidney, liver, pickled pigs feet, intestine, snout, and scrapple (Robby Fulks
would be proud). There used to be a jerk chicken joint on the other side of the
Velvet Lounge, now defunct.
'Being a destination joint, you're only going to go there for a certain reason,' said Dave Jemilo, owner of the Green Mill jazz club in Chicago's Uptown neighborhood on the city's North Side. 'It's not for the yuppie butthead going to have a Bud Light, where you have to tell them to be quiet.' Jemilo said it's a testament to Anderson's musical devotion that the club remains off the beaten path. 'He stays true to what he likes, he does what he likes, not necessarily to make a lot of money.'
excerpt from Todd R. Brown's "Fred Anderson Finally Gets His Due -- And His Records Back In Print," Jazz Magazine (2003)
The Velvet Lounge is a funky dive that offers cheap beer, eclectic fixtures
and some of the best jazz in the city. It's also the place where many of Fred
Anderson's recent CDs are recorded and is the only bar in Chicago that I
know of that has a toll-free phone number. Personally, I have only gone paid
homage once but the music was fantastic,
consisting of both original and covers. There was a blissful lack of
self-gratifying 20-minute solos, the obliged clapping and the shushing by staff,
the three of which have become prevalent in this town. In recognition of its contribution to the Bronzeville
neighborhood that surrounds it, and to the city itself, the Velvet Lounge was awarded Best Jazz Club by The Official Chicago Bar Guide (2001)
and was nominated as Best Neighborhood Bar in Citysearch's 2001 annual
poll. In 2002, the Velvet Lounge reached a new level of notoriety when it was rated one of the Top 10
Jazz Clubs in the country as selected by Citysearch's national editorial
staff. Fred Anderson himself earned the Arts Midwest Jazz Masters award in 1990,
which is given to those jazzmen who have provided continuous contributions to
jazz within their respective communities and have 25 years experience as
professional performers. For more information on the bar, upcoming performances and sheet music for
some of Fred Anderson's songs, be sure to check out the
Velvet Lounge website. If you like
Fred Anderson's place, be sure to also check out the
Hot House for more excellent jazz in the
South Loop, and even the alternative rock palace, the
Empty Bottle in the Ukrainian
Village, on Wednesday nights when they also feature jazz. Dig it.
~ Have a good story relating to this bar? E-mail it to me. ~
[back to the Chicago Bar Project]
written by Sean Parnell